Category Archives: Company

Burmese Days to open in New York

Some exciting news. We are delighted to announce that our stage adaptation of George Orwell’s Burmese Days will open in New York this November as part of the prestigious Brits Off Broadway festival.

In 2009, the George Orwell Estate read Ryan Kiggell’s stage adaptation of Burmese Days, and subsequently gave him the go ahead to develop the production.  Later that year Orwell’s son, Richard Blair, attended a specially staged reading of the play and gave the production his blessing.  The coming production at 59e59 Theaters in November is therefore the world premiere of the first stage adaptation of Orwell’s extraordinary novel.

Burmese Days was inspired by Orwell’s experiences while serving for the British Raj. Although a work of fiction, several British publishers refused the manuscript of Burmese Days, a sharp critique of Empire, fearing libel from officials working in Burma at the time.  The script was picked up instead by Harpers New York,  and so George Orwell’s first novel was published in the US in 1934.

Burma today is suffering under exactly the kind of paranoid and aggressive regime that Orwell dedicated his life to confronting. In a chillingly prescient observation in Burmese Days, the central character laments “Sometimes I think that in two hundred years all this will be gone; forests, villages, monasteries all vanished”.  With the disappearance of monks, ethnic cleansing and rampant deforestation in latter day Burma, Orwell’s observation is halfway to being right.

To support this production please visit our Wefund campaign site – where you can also see clips of our 2009 staged reading.  Do also forward the link onto your friends and colleagues that you think may be interested

With an exceptional cast and creative team in place, we will be starting rehearsals next week. Do please check back in the coming weeks for further updates on our adventures  …

A tremendous start to Burmese Days

Steven Robertson and Charlotte Allam in Burmese Days

Many thanks to all those who attended our r&d workshop of Orwell’s Burmese Days at University College London (UCL) on the 04/05 November. It has been an exciting start. We had full houses both nights at the Jeremy Bentham Room, an impressive space locked in the heart of UCL’s main building, and their response has been encouraging.

It was a very good opportunity for us to experience the play performed to such a distinguished, attentive and discerning audience, and I for one have learnt a great deal about how to take the play forward.

There are many possibilities for the future of Burmese Days, and a full production in the coming year. In the meantime congratulations to all those involved and thanks to our audience, and for their feedback. If you would like to leave a comment here on your experience I would urge you to please do so. Please also make sure you sign up to our mailing list at http://www.ayatheatre.com if you would like to respond in that way, and forward the website to those who you think may be interested.

3men-crop2

Simon

BDprogtitle

Arts Council supports Burmese Days

Some marvellous news. Arts Council England have awarded aya a grant  towards the costs of Research and Development for the adaptation of Orwell’s Burmese Days.

banner_1

Work officially now starts on the 05 Oct – and the four week R&D period will culminate in a presentation of the script and some staging ideas at UCL on the 04/05 November. The event, performed by a small international ensemble, will be the first staging of the novel, with unprecedented approval from the Orwell Estate. Please see the website for details on how to book. I look forward to seeing you there!

http://www.ayatheatre.com

we're flying

Mike Figgis to become aya patron

We are delighted and honoured that Mike Figgis is to be the patron of aya.

Mike Figgis

Mike is a writer, director and composer. He has roots in experimental theatre and music, which are just two primary influences that contribute to the creative vision in all of his feature films and documentaries. He emerged as a visionary filmmaker who thrives on taking artistic risks.

In the early seventies, he joined England’s foremost avant-garde theatre group The People Show as a musician and performer. For the next ten years, The People Show toured the world with great success and critical acclaim.

In 1980, Mike began to focus on writing and directing theatre, as well as breaking into film. He formed his own theatre company and some of his earliest projects won awards for their innovative blend of live action with music and film. As a result, Channel Four financed his first film The House.

In 1996 he achieved international critical acclaim for his film Leaving Las Vegas, starring Nicolas Cage and Elisabeth Shue, which he wrote, directed and scored. The film was nominated for four Oscars (two for Figgis personally with both Best Director and Best Adapted Screenplay).

Mike’s film Timecode pushed the boundaries of digital filmmaking and lead to a unique and revolutionary piece of work.

We are thrilled that Mike has agreed to be patron, and our looking forward to working with him in the coming months as aya continues to take root.

 

WELCOME TO THE AYA THEATRE BLOG!

This is the inaugural post of the aya theatre blog. A place where we can connect, share our news and activities, and create discussion.

Please take some time to read about what we are up to! We want to hear your opinions, and your reactions to our work. So feel free to  drop in and leave a comment!

aya is a new theatre company, formed from a growing collective of theatre artists who have worked/learned together, making theatre.  We are currently involved in creating our latest work – a staging of George Orwell’s Burmese Days.